Evan Lysacek

TWO-TIME UNITED STATES CHAMPION

Residence:
Birth Date: June 4, 1985
Birth Place: Naperville, IL

Competitive Highlights

2008 U.S. National Championships - 1st
2007 Grand Prix Final  - 1st
2007 World Championships  - 5th
2007 U.S. National Championships - 1st
2007 Four Continents Championship - 1st
2006 World Championships  - 3rd 
2006 Winter Olympics - 4th 
2006 U.S. National Championships  - 2nd
2005 World Championships  - 3rd 
2005 Four Continents Championships - 1st 
2005 U.S. National Championships  - 3rd 
2004 U.S. National Championships  - 5th

A key element of confidence is standing tall and proud, and no one in the sport of figure skating embodies that characteristic more than two-time U.S. Men’s Champion Evan Lysacek. At 6'1, he towers over many of his competitors, and thanks to choreographer Lori Nichol, he has learned to flaunt and capitalize on his unique qualities.

“Lori has been instrumental in the growth of my career, because she is able to see a skater’s strength, bring it out and highlight that strength,” says Lysacek. “For so long, because I’m so much taller than the other skaters, I tried to camouflage that and do things that made me look like I wasn’t so long and tall. She was one of the first people that said, ‘That’s what sets you apart and makes you different.’ She brought out a creativity and a confidence in my skating.”

The first program Nichol choreographed for Lysacek was a modern interpretation of music from the opera “Carmen,” which highlighted his height and angles. This season, his short program features selections from the “Zorro” soundtrack and his free skate comes from the opera “Tosca.”

Nichol says she encourages Lysacek to be proud of his long lines and utilize that asset along with his musicality, intensity and ability to focus. “I feel he could do any style,” she says.

In addition to his two U.S. Men’s titles, Lysacek has been the top U.S. man and most consistent medal winner on the international scene for the past three years. He has posted the best finishes at the World Championships every year since 2005 and is the only U.S. man to medal at the Grand Prix Final. Lysacek is also the only U.S. man to consistently land quadruple jumps - setting him up to be a serious gold medal contender heading into the 2010 Winter Olympics in Vancouver.

A ferocious competitor, he lives by the philosophy that each day is a fresh start. “Go and fight every day, no matter what’s happened the day before or what might happen,” he says. “Don’t think about the past or the future—stay in the present.”

Nichol says often Olympic gold goes to the skater “who is able to work the smartest, the hardest and the most consistently—Evan has those traits.”

Lysacek also appreciates the artistic elegance of skating, and he chooses to wear costumes that show off his sense of style. For the 2006-07 season, Christian Dior designed his short program costume and his long program costume was done by Gianfranco Ferré. Cutting edge designer Alexander McQueen has created both the short and long program costumes for 2007-08.

“My personal style is simple and modern,” says Lysacek. “I want to feel confident and feel that I’m wearing something that enhances my performance and does not take attention away from the skating.” His sense of style extends off the ice, and in the summer of 2007 he began working with the Public Image Modeling Agency. He has also been a sought-after spokesman for the sport of figure skating, and has made numerous personal appearances.

The person that Lysacek thanks most for his success is coach Frank Carroll, with whom he’s been training since 2003. Making the 2006 Winter Olympic team is one of his most satisfying achievements, and he feels he could not have done it without Carroll. Although Lysacek had wanted to train with Carroll for several years, his mother wisely insisted he stay at home in the Chicago suburb of Naperville until he graduated from high school, so that he had a strong foundation in life. With that accomplished, he made the move to Los Angeles.

“Frank was the coach that said he believed I could make the 2006 Olympic team,” Lysacek says. “The traits I really appreciate and respect in him are his loyalty, honesty and down to earth quality. To this day, I’m still learning from him. He has so much experience in life and so much knowledge about the sport.”

They now set their sights on the 2010 Winter Olympics in Vancouver, B.C. Goal setting has always been a big part of Lysacek’s life, and he says that daily, weekly and monthly goals help him to feel confident going into competitions. As his career has progressed he’s had to learn how to refocus the goal-setting process from being strictly results-oriented to encompassing both results and training. After becoming U.S. Novice Champion at 13, U.S. Junior Champion at 14 and World bronze medalist at 19, he establishes both his short- and long-term goals.

“My goals are about training,” says Lysacek, who is confident in his technique. “It’s great to win competitions and I feel really good about winning, but I also feel a sense of pride every day now from going into the rink and working hard. It feels good to give it everything you have every day. That’s just as rewarding to me as winning. As far as long-term goals, obviously winning the Olympic gold medal in 2010 is a huge goal I’ve been working towards my entire life. I’ve realized what the process is to accomplish it. I’m looking forward to it, but I am realistic. It takes a lot of confidence and determination. Those are hopefully things I’m building mentally each day.”

Although Lysacek fully understands the importance of performing all the elements—especially essential under the sport’s international judging system—he also revels in making a connection with an audience. Appearances in shows, such as Fashion on Ice, and tours, such as Champions on Ice, have helped build on his natural charisma. “Whatever choreography I’m doing, even when I’m competing and I have to be so focused, there are certain spots in the program that I try to remember to establish a connection, because that is what makes our sport unique,” he notes. “The audience is able to see our faces and see our emotions. It is important for them to see, because it draws people closer to the skater and they feel a real connection.”

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